status: urban development workshop
program: conversion, housing, workshops, offices, retail, public spaces
location: Salach
team: Anne-Julchen Bernhardt, Jörg Leeser, Mariel Kaiser-Crompton, Hannah Rudolph
client: Gemeinde Salach, IBA-GmbH StadtRegion Stuttgart
date: December 2019

status: competition
program: housing
location: Clouth urban re-development Nippes, Cologne
team: Anne-Julchen Bernhardt, Jörg Leeser, Matthias Hoffmann, Christiane Schmidt, Wolfgang Zeh
client: Wüstenrot Haus und Städtebau GmbH
date: May 2015

To the north lies the urban street, in the south a garden within nature. You find conditions as in Tucholsky's 'The Ideal'. To create a semi-public space along the façade, the ground floor moves back slightly. Each entrance is flanked by a finely tiled bench, next to these lie entrance halls, which connect the house with the happenings on the street. The two-side oriented apartments have a continuous window strip towards the urban side, a small balcony enables a connection to the street. The transition from the private to the community areas is finely graded and invites the inhabitant to get in contact with surrounding neighbours.

On the side of the garden, a pergola creates balconies and loggias for all apartments. The house offers a variety from 2 to 5 ½ room apartments, distributed in a balanced mixture over all floors and offering a wide range of different living needs in all housing sizes. The residents can use the floor plan flexibly, small spaces are arranged around a neutral space as a distributor, which can be both a kitchen and living room. In the apartments of 2 ½ rooms or more, the user can decide freely about having a bedroom to the street or towards the garden. Some large apartments can be divided. Due to the flexibility of the ground plans, many alternative housing forms are possible under one roof, such as housing communities, living/working or living together with multiple generations.

status: completed
program: pavilion for the campaign "Liebe deine Stadt - trotzdem! 2005-2015" by Merlin Bauer
location: Willy-Millowitsch-Platz, Cologne
team: Anne-Julchen Bernhardt, Jörg Leeser, Gina Rauschtenberger
client: Merlin Bauer
date: November 2015

Kölner Architekturpreis 2017, honorable mention

status: competition
program: low cost housing
location: Jarfälla, Sweden
team: Anne-Julchen Bernhardt, Jörg Leeser
date: January 2001

The site is a typical Scandinavian landscape preserved by the oldest Swedish Airport.
Traditional Swedish farms blur the threshold between cultivated and uncultivated terrain.
Old Swedish Farms incorporate the seasonal climates into specific architectural elements.
Each dwelling has its own personal panorama created through the circular lots.
Half paved dirt roads allow circulation of pedestrians and access traffic.
A non-hierarchical distribution creates a hybrid landscape condition of scattered dwellings.
Multi-use appliances adapt to the seasonal program.
In winter use the functions contract to a minimum program of interiority.
In summer use the functions expand to a maximum program of exteriority.

status: 1st completion 2016, 2nd unit in progress
program: prototype single-family house
location: Neugraben-Fischbek, Hamburg
team: Anne-Julchen Bernhardt, Jörg Leeser, Matthias Hoffmann, Conrad Paul Kersting, Aaron Schirrmann, Christiane Schmidt, Alia Mortada, Julia Kaulen
client: IBA Hamburg
date: April 2014

status: competition - honorable mention
program: bicycle stand and kiosk
location: Mülheim an der Ruhr
team: Anne-Julchen Bernhardt, Jörg Leeser, Sebastian Haufe, Philipp Schneider, Wolfgang Zeh
gross floor area: 90 m²
cost: 120.000 €
client: Stadt Mülheim an der Ruhr
date: May 2009

status: completed
program: coffee roastery
team: Anne-Julchen Bernhardt, Jörg Leeser, Wolfgang Zeh
brand design: nondesign, Jörg Waschat
cost: 150.000,- €
net floor area: 185 m²
completion: July 2010

AIT-Award 2012

status: ideas competition "Zukunft Wohnen"
program: densification of housing areas
location: Mauenheim, Cologne
team: Anne-Julchen Bernhardt, Jörg Leeser, Michel Kleinbrahm, Leonard Palm, Gina Rauschtenberger, Christiane Schmidt
client: Stadt Köln, Wohnungs- und Baugenossenschaft Mieterschutz eG
date: November 2015

status: competition
program: museum, hostel
location: St. Pauli, Hamburg
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Christiane Schmidt, Alia Mortada, Julia Kaulen, Michel Kleinbrahm, Jonas Läufer, Wolfgang Zeh
team NL: Kamiel Klaasse, Kirsten Hüsig, Laura Riano Lopez, Pieter Bannenberg, Guilia Pastore, Jasna Kajevic
structural engineer: Jürgen Bernhardt, Cologne
client: Bayerische Hausbau GmbH & Co. KG., Bezirksamt Hamburg Mitte
date: August 2016

status: cooperative workshop
program: school, workshops, housing
location: Apolda
team: Anne-Julchen Bernhardt, Jörg Leeser, Michel Kleinbrahm, Jakob Wolters
client: City of Apolda, IBA Thüringen
date: March 2017

status: competition
program: subsidized housing
location: St. Pauli, Hamburg
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Christiane Schmidt, Alia Mortada, Julia Kaulen, Michel Kleinbrahm, Jonas Läufer, Wolfgang Zeh
team NL: Kamiel Klaasse, Kirsten Hüsig, Laura Riano Lopez, Pieter Bannenberg, Guilia Pastore, Jasna Kajevic
structural engineer: Jürgen Bernhardt, Cologne
client: Bayerische Hausbau GmbH & Co. KG., Bezirksamt Hamburg Mitte
date: August 2016

status: in progress
program: cooperative housing
location: Neunburg vorm Wald
team: Anne-Julchen Bernhardt, Jörg Leeser,
Alina Uhlenbrock, Julia Kaulen, Mariel Kaiser-Crompton,
Christian Kühnle, Laura Fuchs
structural engineer: Dr.-Ing. Arne Künstler, Frankfurt
client: 9BÜRGER eG Wohnungsbaugenossenschaft i.G.
date: July 2019

status: competition. 1st prize for A2/A4
program: housing, retail, daycare facility for children
location: Hamburg-Harburg
team: Anne-Julchen Bernhardt, Jörg Leeser, Sebastian Haufe, Julia Kaulen, Alina Uhlenbrock
client: CG group
date: March 2019

status: competition
program: permaculture farm, farm shop, hotel, lecture rooms, co-working, office, restaurants, workshops, apartments, community housing, gardens
location: Türnich
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Michel Kleinbrahm, Jakob Wolters
team baukuh: Pier Paolo Tamburelli, Andrea Zanderigo, Paula Frasch, Chiara Catapano
team smeets: Jan Peter Stiller
client: city of Kerpen, Count and family of Hoensbroech
date: February 2017

Schloss Türnich is a unique spatial structure made from architectural and landscape elements. Together, they form a system of particular pieces: the castle, the moat, the French garden, the English landscape park, the mill, the forrest, the avenue and the agricultural land. The elements are not necessarily connected to each other and old connections are often interrupted by new elements.

This generous distribution of partially disjointed scenes - a recurring phenomenon throughout the history of the castle - is the main feature of the situation. The changes in the castle complex should therefore do justice to the special nature of the place. The connection between the castle, the village and the surrounding agricultural land should be achieved subtly via indirect connections; maintaining the autonomy of the subspaces and underlining their special atmospheres.

status: competition
program: housing
location: Erfurt
team: Anne-Julchen Bernhardt, Jörg Leeser, Malte Wilms, Alina Uhlenbrock
client: KoWo Erfurt
date: February 2018

status: urban design workshop, 1st prize
program: multi-use: school, kindergarten, workshops, community areas, housing, offices, public open spaces
location: Cologne
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Laura Fuchs, Amelie Bimberg, Jonas Läufer, Mariel Kaiser-Crompton, Jakob Wolters
team Studio Vulkan: Robin Winogrond, Helen Yu
project development: Prof. Dr. Guido Spars
client: City of Cologne
date: July 2017

status: project
program: New National and University Library
location: Ljubljana, Slovenia
team: Anne-Julchen Bernhardt, Jörg Leeser, Matthias Hoffmann, Wolfgang Zeh
date: March 2012

Library is a place of permanence and continuity. It is rooted in Roman remains. Its geometry is based on the universal orthogonal grid of Roman colonial planning. Yet it is a place of change, openness and progress. As a laboratory of knowledge it nurtures scholarship and community.
Here time is no longer linear but becomes simultaneous. Library melts time into a single presence. There is no antagonism of old and new, no ideological compulsion to destroy and overcome. Whether we rest on the shoulders of giants or whether giants stand in our way, the future will know. Library pays tribute to the rich urban fabric of Ljubljana and complements Plečnik's city with humility. It balances between civic grandeur and modesty. To be the New National Library and yet one among many buildings Library is just slightly detached from the city block, an almost stand-alone monument. Almost. Its distribution of building mass emphasizes Zoisova Street as an "University Boulevard" and adapts in scale towards French Revolution Square. Both entrances are marked with recesses and grand stairs. The gap between the city block and Library opens a pedestrian path to cross the courtyard. Access of vehicles for loading, the handicapped, and restricted parking is also permitted here.
Library expands the limits of typologies, it is an open plan building yet contains six distinguished public rooms. Free access shelves and restricted archive areas blend into a continuous space. Physically they are separated by glass walls. Horizontally the public rooms have no limits, the rooms are defined by their voids and their natural light.
A structural system of waffle slabs supported on cores and cross-shaped columns allows large spans and a minimum of piled foundations. The impact on the archeological remains is minimized, the flexibility of the library space is maximized. Library is an open building, the entrance level is a 24h zone. Five reading rooms and the multifunctional hall are spread across the floors. They create zones of distinct character, each with individual spatial qualities. The user can retire to his place of choice. In the special collection he will be among Roman ruins, in the grand reading room underneath the sky. The multipurpose hall is situated on Level 0 and can be used independently from the library.
Library is a place of presence and identity. It is a physical space, it has weight but is still floating. It defines space but stimulates interpretation. Library is multi-folded space.

status: completed
program: trade-fair stand
location: various
team: Anne-Julchen Bernhardt, Jörg Leeser
net floor area: 60 m²
cost: 73.500 €
date: April 2003 – April 2009

Bauweltpreis 2003, honourable mention

DIN transforms the client's 2-dimensional Corporate Identity into 3-dimensional space.
DIN questions and celebrates German engineering as a "white hole" of sublime emptiness.
Obsessive compliance to the DIN stationary system generates a surreal Wagnerian totality.
Subtle ambiguities of scale and texture reveal inconsistencies of the assumed perfection.
Wall, floor and ceiling consist of a single solid surface material; furniture is made of PU-foam.
Hyperbolic commitment to the presumably perfect order reveals the fragility of certainty.
Overweight managers lower their massive bodies onto the delicate chairs.
The apparent minimalist space is charged with a multitude of possible readings. The real physical space of DIN appears to be an inhabitable computer rendering.

status: competition
program: bank
team: Anne-Julchen Bernhardt, Jörg Leeser, Thomas Schneider
gross floor area: 1.034 m²
cost: 2.648.632,00 €
client: Sparda-Bank West
structural engineer: Jürgen Bernhardt, Cologne
date: January 2007

The scheme is based on Edward T. Halls theory of proxemics, a study on the individual's need for personal space. To guarantee privacy within an open space, confidential conversations need to be protected by minimum distances.
The proposal embraces the conflicting requirements of openness and privacy and encourages customers to ascend to the upper floors.
A low-ceilinged Rustico welcomes the customer on street level. The ground floor is open to the public 24 hours a day and houses several ATMs. During business hours an extra-wide spiral staircase opens to a spacious Piano Nobile.
The structural system of the building consists of 13 slim columns and 5 waffle floor slabs. A service core contains ATMs, a staircase and an elevator.
Due to the cooperative heritage of the Sparda Bank the project indulges in humbleness.

status: completed
program: self-build housing
team: Anne-Julchen Bernhardt, Jörg Leeser, Christiane Schmidt, Wolfgang Zeh, Leonard Wertgen, Fréderic Schnee
structural engineer: Jürgen Bernhardt, Cologne
HVACR: Energie und Technik, Sittensen
client: Primus AG
gross floor area: 1.352 m²
cost: 1.200.000 €, 830 €/m² BGF
completion: March 2013

Deutscher Architekturpreis 2013, honorable mention
Universal Design Award 2013 , Universal Design Consumer Favorite 2013

construction manual for settlers
>>> DOWNLOAD HERE

Grundbau und Siedler explores how lower income groups can become home owners. This project was originally developed in the framework of the IBA Hamburg 2013 for the urban district of Wilhelmsburg. The dominant typology in this area is the allotment garden hut, in the 1970s large social housing complexes were also erected there. Although the theme of these developments was "urbanity through density", they are neither densely built nor do they succeed in producing any sense of urbanity. The project by BeL stretches the typology of the hut to multi-storey housing – a skeleton provides the basic frame, its different storeys can be individually filled out, both spatially and over a period of time, by the residents themselves employing self-build methods. The future home-owners buy a package consisting of a plot within a basic, concrete-built skeleton, all the building materials needed to develop their plot, and a handbook giving detailed instructions on all the steps necessary for the development work. In warmer climatic zones Le Corbusier's Domino House principle from 1914 has proved its value as a successful construction system for informal housing developments. Aashwa´i in Cairo, Polykatoikia in Athens, Gececondu in Istanbul, and Favela in Sao Paulo confirm the superiority of the Domino construction principle – and not just from the viewpoint of costs. It is a shelf that provides ideal conditions for a mix of functions; a surplus of space creates a flexible basis to be appropriated by future extensions, conversions and adaptations. The open basic structure allows flexibility over a long period of time. Applying the Domino principle in Germany today requires specialized materials and details in order to satisfy the demands made by highly developed post-industrial societies regarding comfort, economy and ecology. The Grundbau or skeleton has a single staircase serving three units on each floor, the structure is five-storeys high and offers twelve sites for settlers. Each of the upper four storeys has three units, whereas the ground floor contains the settlers' private workshops, car parking spaces, the public utilities connection room and the approach to the open staircase. The settlers acquire a complete kit of building components to erect a typical settler's house. This kit contains all the construction material. A detailed handbook describes the steps that they can carry out themselves, as well as indicating those areas of work that must be approved by a specialist. The organization of the floor plans is independent of the load-bearing structure and the neighbouring storeys. All versions of the typical floor plan in the settlers' kit address different housing needs (the number of persons, lifestyle etc.) and changes of function over the course of time (a growing family, the advent of old age, change of user). A set of functionally neutral spaces is offered with an abundant number of doors. Consequently, the users can employ whatever function they wish. All the rooms are connected to each other; each room has openings to its neighbours. The large number of doors allows the rooms to be grouped as required. For instance: one family may want a large bathroom with a view, whereas another may use this room as a child's bedroom. Each dwelling has two service shafts that are positioned at the intersection of the partition walls and can serve three rooms. The settlers decide what the rooms will be used for. Flexibility results from use and not through adaptation. Functionally indeterminate spaces in a floor plan without corridors require the settlers to interpret and conquer their own space. In the 1:50 scale configuration model (contained in the building kit) the settlers can examine which ways of using the spaces work best for them. Those who wish so can ignore the recommendations and the material offered in the building kit and can improvise. Settlers can reject the guidelines within their own plot, everyone has the right to make their own mistakes and improvements. The Grundbau contains everything needed to build and operate a unit; the settlers can use the workshop spaces on the ground floor from day one and can run their own construction site from there. The Grundbau has railings making scaffolding unnecessary, the settlers can carry out their work from the 70-cm wide strip of balcony.

status: completed
program: conversion and extension of a single-family house
location: Hürth
team: Anne-Julchen Bernhardt, Jörg Leeser, Wiebke Schlüter, Christiane Schmidt
structural engineer: Fritz Münster, Frechen
clients: Sirit and Dirk Breuer
area:136 m² plus 37 m² attic
costs: 230.000 €
completion: May 2012

LBS-Preis Das Goldene Haus 2013
Houses of the Year 2013, Shortlist
Kölner Architekturpreis 2014
Architekturpreis NRW 2015
BDA-Architekturpreis Nike 2016

After the purchase of a piece of property with a small settler’s house from the 1950s, there was not much money left for a young family to build themselves a home. The decision was therefore made to refurbish and extend the existing house rather than rebuild it, saving not only money but also the material and energy conserved in the existing structure. The settler’s house is treated as a raw structure into which the new is fitted, tuning up the typology, energy use, and accessibility of the house.

The suburban house—its spatial qualities having blurred, its references to history and context gone dim—is brought back to its origins and transformed into architecture. The three stories of the house are differentiated and formed through three different spatial concepts: a lengthwise directed living space on the ground floor, separate rooms circulating around a central access area on the first floor, and an open space concept in the attic.

The load-bearing walls are retained, while different spatial concepts are introduced into the structure. The new lengthwise directed rooms on the ground floor connect front yard and garden, through the living space. Spacious double doors in the cross-direction link the new terraces on the sides of the house to both living room and kitchen. The new staircase is relocated to the outside of the house, connecting ground and first floor without disrupting the open character of the living-space. The four rooms of the first floor become individual characters—morning, day, evening and the north/garden room—through single windows, all facing a different direction. The attic bares the possibility of being built out into an open space bedroom, arranged around a well-positioned bath box.

The small house stays small. It grows in length by 2.20m and in space from 118 to 152 m². The extension rests on the foundations of the former terraces and is built in a light steel construction fitted with wooden walls. The new, insulated rafter-roof connects both parts of the house. The outside walls of the existing structure are insulated and plastered. While the different constructions and materials distinguish the new and old inside and out, the overall coloring of the walls keeps this effect subtle.

status: project
program: flexible working spaces
architecture: BeL & Sascha Glasl
team: Anne-Julchen Bernhardt, Jörg Leeser, Sascha Glasl
gross floor area: 221 m²
cost: 30.000,- € + sponsoring
client: Entwicklungs-Gesellschaft Zeche Zollverein Essen
date: September 2007

status: competition, 1st prize
program: library, archive, theatre, bar, Art’Iz arts academy
location: Izegem, Belgium
team: Anne-Julchen Bernhardt, Jörg Leeser, Christian Kühnle, Mariel Kaiser-Crompton, Tessa Gaunt, Emmet Elliott
structural engineer: Imagine Structure, Frankfurt am Main
energy consultant: Transsolar KlimaEngineering, Stuttgart
acoustic consultant: Karl Goebels, Leverkusen
project partner Belgium: Bureau Bouwtechniek, Antwerp
client: city of Izegem
date: February 2020

The Strobbe printing press is an important part of Izegem's architectural identity. This building is thus seen not merely as a resource for sustainability, but also as an important example of a proud industrial building tradition. The essence of this building is the starting point for the ‘Cultuurfabriek’—the ‘Volkshuizen’ of Izegem. It is a house which belongs to everyone - a symbol of the city’s re-appropriation.

The Cultuurfabriek unites the previously separated institutions of archive, library and academy within the large body of the Strobbe printing house. The result is more than the sum of its parts, for the overlap of institutions creates a unique social entity in its own rite. Through the large, shared event space, restaurant/bar/cafe and small exhibition space, both the peculiarities of the individual institutions and their thematic harmony are experienced together.

The transformation of the Strobbe printing press into a culture hub is achieved with only minor interventions and additions: the building is understood as a large open structure in which existing qualities are discovered and enhanced. The structural beauty of the space is exposed, the size and essence of the rooms made tangible, while a few new large installations organize and upgrade the space. These space-making additions are infrastructural in nature, always accessible, and contain secondary rooms underneath or inside. These additions serve as actors in open space, concentrating and provoking action.

Towards the goal of sustainability, the building is regarded as a complete system in which all individual parts contribute to the success of the whole. The conversion of the existing building saves resources, the grey energy bound in the building is reused, and superimposition of program allows for a minimum of new construction. Preservation goes before demolition, strengthening before replacement.

status: completed
program: conversion of a terrace house
team: Anne-Julchen Bernhardt, Jörg Leeser, Wiebke Schlüter, Wolfgang Zeh
net floor area: 150 m²
client: N.N.
cost: 150.000 €
structural engineer: Jürgen Bernhardt, Cologne
date: May 2009

status: competition
program: Czech National Library
location: Prague, Czech Republic
team: Anne-Julchen Bernhardt, Jörg Leeser, Eveline Jürgens, Thomas Schneider, Lynn Kukelies
net floor area: 53.826 m²
client: National Library of the Czech Republic, Prague
structural engineer: Jürgen Bernhardt, Cologne
date: September 2006

The building of the New National Library marks the western edge of Letenská plain. Even though building mass is added to the area, the wide and open terrain is preserved as a multifunctional urban space. Corresponding to the monumental dimensions of the urban context, the New National Library rests as a simplistic volume on the extended gravel surface of Letenská plain. Oriented parallel to the open area, the building has a square footprint of 97,20m² based on an 8,10 m square grid. To the north, an open plaza provides the main entrance for pedestrians. To the east, the library café, which also serves as an entrance, features a terrace looking onto the infinite gravel surface of Letenská plain.
The New National Library is a hybrid typology between utilitarian functionality and public grandeur.
60% of the floor area is solely used as storage space, only 20% of the floor area is open to the public. The presence of 10 million books creates a monumentality by sheer number, similar to baroque libraries, where visitors and employees are completely surrounded by books. With generic typologies such as supermarkets as a model the scheme juxtaposes the programmatic necessities of separating magazine and public spaces with the baroque approach of universal presence. The enormous size and complexity of a National Library reflects into simplistic spatial matrix.
In plan the 97,20 m deep open space is structured by supportive cylinders and voids in the floor. The voids connect spatially to the lower floors, which are mainly used as magazine spaces. The cylinders also provide controlled natural light through circular patios. Four cores contain vertical circulation, fire escapes, public and freight elevators with car capacity. Upper floors have 6,75 m clearance, lower floors 2,33 m. The neutrality of the system allows for a wide array of possible layouts. Essentially the ground floor contains public services, the first floor reading rooms, the second floor administration and public services. Restaurant and auditorium are also on the second floor.
Each upper floor is accompanied by a secondary lower floor (inverted mezzanine) that provides storage space for the public.

status: completed
program: adaptable trade-fair-system
team: Anne-Julchen Bernhardt, Jörg Leeser, Adria Daraban, Max Schoeneich, Wolfgang Zeh
gross floor area: 3 - 200 m²
client: FRABA AG
date: 2009 - 2014

Evolving from DIN display system ISO provides improved flexibility, rapid assembly time and minimized payload. Presented on a worldwide campaign the ISO universal system has to comply with numerous international standards.
ISO is nomadic architecture, it features lightweight elements, easy to carry and easy to assemble. Traditionally fabric is used to create shelters, ISO deploys a curtain/carpet made of customized injection moulded polycarbonate snap-on tiles.
ISO is a non-spatial concept. The elements can be applied in an infinite number of configurations on a multiplicity of trade fair lots. The possible organisational patterns are based on rules of proximity. Depending on the specific context the client can choose from a large array of possible set ups.
Iso is an attempt at nothingness. The spatial presence of the individual objects is reduced to the bare structural necessities. In an almost tribal simplicity, illumination is provided by lampposts. Tables and chairs have an intermediate height between chairs and bar stools to allow informal communication.
The grandeur of ISO's delicateness is a remedy to the barren environment of trade fairs. ISO is a satisfactory combination of austerity and pomp.

status: contribution to the exhibition “Alternative Histories”
program: model
team: Anne-Julchen Bernhardt, Jörg Leeser,
Mariel Kaiser-Crompton, Alina Uhlenbrock, Laura Fuchs
client: Drawing Matter, The Architecture Foundation,
Marius Grootveld, Jantje Engels
date: March 2019

BeL (*2000), Anne-Julchen Bernhardt (*1971) and Jörg Leeser (*1967): On Walter Pichler's Sketch for the Underground City, 1960-64, Model, 2019, metal, concrete, plaster, paint, foam, wood, pastel calk, wood glue, paper, coal, styrofoam, plastic, play dough, sandpaper and plasticine.

The selected drawing – a light-hearted but somewhat nervous sketch bearing the title “Sketch for the Underground City” – belongs to an early body of work by Walter Pichler.
Working on abstract, hypothetical cities and buildings, Pichler questions the relationship of oppositional systems and investigates into positive and negative space, the designed and the found object, movement in space and movement of space. He is fascinated with infrastructure, spatial networks and the architecture of transition.

Over the course of four years he produced several series of drawings and objects, as the first seem to be mostly investigative and only occasionally presentation drawings, the latter are artifacts of meticulous craftsmanship in metal, concrete and plaster. Resting in time as singular entities, they obtain an almost transcendental aura; their painstakingly precise and slow process of making is inscribed into their abstract yet detailed manifestation. Form, space, light, material and surface are taken into the realm of fetish objects, the Sublime hovers within and around them.

The enigmatic objects are called Compact Building, Underground Building, Mouth of an Underground City, Core of an Underground City, Building over Infrastructure and Underground Building with extendable core. There is no record of an object titled the Underground City, the selected drawing solemnly bears that name.

Our model is neither abstract nor enigmatic but concrete. It is a model not an object. Its simple stereometric volumes are directly taken from Pichler's sketch. As a feasibility study it explores possible levels of detail Pichler's sublime objects would have faced, if they had been taken as representative model in an architectural process. The model is in search of the inherent beauty of the ordinary, it emphatically embraces the everyday, where the Sublime is just around the corner. Still, the Underground City remains the Other Space, pink cavities crouch underneath the surface.

pictures 11–17: Walter Pichler: “Skulpturen, Gebäude, Projekte”,
Residenz Verlag, Salzburg, Wien, 1992

status: urban design competition
program: city center redevelopment
architecture: BeL & Heide & von Beckerath & Locodrom Landschaftsarchitekten
team: Anne-Julchen Bernhardt, Jörg Leeser, Jan Derveaux, Verena von Beckerath, Tim Heide, Wolfgang Zeh, Phillip Schneider
client: Stadt Düsseldorf
date: December 2008

status: in progress
program: housing
location: St. Pauli, Hamburg
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Christiane Schmidt, Alia Mortada, Julia Kaulen, Michel Kleinbrahm, Jonas Läufer, Wolfgang Zeh
team NL: Kamiel Klaasse, Kirsten Hüsig, Laura Riano Lopez, Pieter Bannenberg, Guilia Pastore, Jasna Kajevic
structural engineer: Jürgen Bernhardt, Cologne
client: Bayerische Hausbau GmbH & Co. KG., Bezirksamt Hamburg Mitte
date: August 2016

status: completed
program: urban intervention
location: various urban spaces in Cologne
team: Anne-Julchen Bernhardt, Jörg Leeser, Merlin E. Bauer
cost: 4.000 €
date: since summer 2002

Kölner Architekturpreis 2003 – urban intervention

www.am-strand.org

Under the Pavement - the Beach is a paradigmatic utilization of public space.
Aimed to resurrect the urban realm from the decay of civic culture Under the Pavement - the Beach uses public space for temporary gatherings.
A multitude of hosts pick locations for specific instant programs, the mobile Strandbox unit provides the necessary infrastructure including coolboxes, a pirate radio transmitter, luggage space for dishes, etc.

status: competition, 4th prize
program: conversion of a gasometer into a planetarium
location: Solingen
team: Anne-Julchen Bernhardt, Jörg Leeser, Matthias Hoffmann, Wolfgang Zeh
client: Galileum Solingen
date: March 2011

status: in-progress
program: hotel, retail
location: St. Pauli, Hamburg
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Christiane Schmidt, Alia Mortada, Julia Kaulen, Michel Kleinbrahm, Jonas Läufer, Wolfgang Zeh
team NL: Kamiel Klaasse, Kirsten Hüsig, Laura Riano Lopez, Pieter Bannenberg, Guilia Pastore, Jasna Kajevic
structural engineer: Jürgen Bernhardt, Cologne
client: Bayerische Hausbau GmbH & Co. KG., Bezirksamt Hamburg Mitte
date: August 2016

The street is a field of action, a place of social mixing.

St. Pauli formed by a variety of actors, a diverse cast of characters all of whom meet on the street. The hotel stands on Spielbudenplatz, a colourful hybrid which becomes a street unto itself. It has two ground floors - one at ground level and one on the city balcony - both with countless doors. These two floors—like the street they embrace—are dedicated to characters of St. Pauli, offering them new places for encounters, for meeting, and to linger.

Following the example of the 1920s Haus Vaterland in Berlin, Baufeld 1 is an implosion of urban life that welcomes and delights residents of Hamburg and tourists alike. Various units gathered under a large shell form a series of public spaces ripe for interaction. The city balcony is a distinct throughway connected with the street by stairs at both ends: it is a street and a square in the air.

status: completed
program: conversion of a landmark blacksmith workshop into a living/working space
location: Ehrenfeld, Cologne
team: Anne-Julchen Bernhardt, Jörg Leeser, Matthias Hoffmann
structural engineer: Jürgen Bernhardt, Cologne
client: Bahar Bayrak and Harry Schmid
date: June 2014

Kölner Architekturpreis 2014, Honourable Mention

Ehrenfeld is a quarter of Cologne where living and working are traditionally combined. Typical for this area are small workshops in the backyards of street front houses. In this project, one of these small industrial halls, a protected former blacksmith's workshop from 1902, is converted into a living and working space for a small family and their business.
The building consists of a small two-storey office house and a 10 by 25 m sawtooth-roof hall. The relatively small rooms of the office house are converted into an intimate living area for the family with bedrooms and a central open kitchen. The big hall is used as a free open space that can be used for working and living. At special occasions it can be converted into a showroom for the company's products: BMX bikes.
The protected building, which was in a very bad condition as a result of being out of use for decades, was completely restored in terms of structure, insulation and surfaces. Original and new architectonic elements and surfaces blend together to produce a timeless atmosphere, neither old nor new.
The main spatial intervention consists of cutting out a new patio from the volume of the industrial hall. One space is converted into two: an interior and an exterior space.
The interior space that used to have an almost claustrophobic atmosphere, the only connection to the outside being translucent skylights, is combined with an exterior space of light and air that can be used as an outdoor living room.
The two spaces are connected via a big sliding door that can be opened over the full width of ten meters. Thus, the separation of the rooms blurs in summer – living and working can take place inside and outside - whereas in winter you can watch the rain and snow fall into the patio from inside.

program: housing, day-care center
location: Cologne
team: Anne-Julchen Bernhardt, Jörg Leeser, Michel Kleinbrahm, Mariel Kaiser-Crompton, Laura Fuchs, David Leber, Jakob Wolters, Christiane Schmidt
date: May 2018

status: contribution to "Building Upon"
program: fictional extension of an existing cafe by John Körmeling
location: Breda, Netherlands
team: Anne-Julchen Bernhardt, Jörg Leeser, Matthias Hoffmann
client: Architectura et Amicitia (Aeta)
date: June 2015

T'Huis in Breda by John Körmeling is a beautiful building. It is a pavilion in the park, largely constructed of glass with very delicate profiles and a very thin roof. You can enjoy coffee or tea on the terrace shaded by marquees. The marquees are red - like the terrace and the furniture, the artist uses a striking contrast; the park becomes greener seen from the red and thus more beautiful. T'Huis is proportioned using a golden ratio in ground plan and elevation. It is labeled with fluorescent letters, presenting the things offered here: ice cream, coffee, tea, sausage, cake and french fries.
The extension of T'Huis deals with the delicateness of the building. Any extension appears to be rude regarding the entity of the building's design. We know so many tea pavilions full of features: patio heaters or terrace glazing keeping smokers warm in winter; attached party tents opening after 5 o'clock for night use. Our extension also improves the functionality of the tea pavilion. It provides a small canopy and an additional door. The existing pavilion's toilet can now be used before or after the opening times of T'Huis. The door separating the cafè from the toilets is sealed. Now a machine on the outside of the pavilion grants the entrance. The canopy is tall so that it is visible all around the park and labelled with the service (WC) found here.

status: competition. 3rd prize
program: housing
location: Baakenhafen, HafenCity, Hamburg
team: Anne-Julchen Bernhardt, Jörg Leeser, Julia Kaulen, Alina Uhlenbrock
client: Hamburger Wohnen eG & building cooperative „AMIGO“
date: August 2019

status: competition and workshop contribution
program: multi-use; housing, retail, recreation, education, industry, allotment gardening
location: Wilhelmsburg, Hamburg
team BeL: Anne-Julchen Bernhardt, Jörg Leeser, Christiane Schmidt, Alia Mortada
team NL: Kamiel Klaasse, Pieter Bannenberg, Walter van Dijk, Gen Yamamoto, Kirsten Hüsig, Jasna Kajevic, Sylvie Hagens, Jose Lacruz, Alison McNeil, Gianluca Lattar, Laura Riano Lopez, Lea Caubert
team Inside Outside: Petra Blaisse, Jana Crepon, Mikel Orbegozo
client: IBA Hamburg GmbH
date: June/November 2016

The area between Vogelhüttendeich, Rotenhäuserstraße, Jaffe-David-Kanal and Aßmannkanal has special qualities: it is a landscape in the city. Wilhelmsburg, the Elbe island, originally sparsely populated with its hydraulic engineering can still be experienced here. The canals and many allotments give the area a scenic atmosphere. The pier with its beer garden at Vogelhüttendeich is a place in front of the city but not yet in the countryside. To the west lies the Reiherstieg district, the epitome of a dense, culturally mixed neighbourhood. Here the blocks stand sharply defined as bodies in the landscape, forming a closed space of intensive urban life. In the commercial area south of the planning area, garden elements of a suburban idyll can be found. This temporal, spatial and typological fusion of the landscape with urban and industrial fragments is fundamental to the design.

In Wilhelmsburg, landscape and city meet like living and working. Different typologies stand side by side without constraint, they use and reinforce the qualities of the area, individually or in context. The encounter of different building types with diverse open spaces creates a multitude of independent subspaces. We create urban density through architectural typology. Within a plot, the individual buildings are coherent and create urban space in their specific design.

status: completed
program: single family house
location: Overath
team: Anne-Julchen Bernhardt, Jörg Leeser, Sascha Glasl, Eveline Jürgens
net floor area: 200 m²
cost: 250.000 €
client: Jan und Beata Ruppert, Dortmund
structural engineer: Jürgen Bernhardt, Cologne
date: May 2004

www.rationator.org

Overath is a small town on the periphery of Cologne's suburbia. Rationator is a detached house for a family with 3 children.
Sited on a stretched building plot along the bank of the Agger River, the house is threatened by floods up to 2,5 m above ground level. Thus the design anticipates possible flooding with a choice of flood resistant materials and construction techniques.
The clients represent the typical family who dream of their own house, but have a limited budget. Rationator acknowledges this predisposition with a choice of communication strategies and profound typological exercises.

status: urban planning study
program: housing, landscape, public open spaces, kindergarten, school, farming
location: Oejendorf, Hamburg
team: Anne-Julchen Bernhardt, Jörg Leeser, Alina Uhlenbrock, Emmet Elliott, Tessa Gaunt, Chris Kühnle
nature conservation and landscape planner: Planungemeinschaft Marienau, Bleckede
traffic planner: ARGUS Stadt und Verkehr Partnerschaft mbB, Hamburg
client: City of Hamburg
date: January 2020